In February's discussion of If I Ever Get Out of Here on CCBC-Net, we also heard from his editor, Cheryl Klein, at Arthur A. Levine Books/Scholastic. We are reprinting it here with her permission.
Cheryl Klein |
I’ve long been
interested in publishing diverse stories, and thanks to my position at Arthur
A. Levine Books/Scholastic, I’ve been in a place to do so. But in my first
eight years in the industry, I did not see any submissions at all from Native
American authors. After a debate about multicultural literature over on the
child_lit listserv in, I think, 2008, I decided to reach out to Debbie Reese
about this. I told her that the #1 problem in publishing Native American books
was actually getting manuscripts from Native writers, and asked her to pass
along my contact info to any aspiring Native children’s or YA authors she might
meet.
Debbie sent me
several writers over the next few years, and one of them was Eric Gansworth.
Eric had published several adult novels and collections, but he’d never written
for YA before; and his writing instantly stood out to me for his emotional
sensitivity, his backbeat sense of humor, and his powerful portrayal of
relationships among families and friends on and off the reservation. The first
thing he sent me was a short-story collection featuring a young man’s
observations of the adult relationships around his reservation. I admired the
stories, but it seemed more like a book about adults from a YA point of view
than true YA fiction to me, so it didn’t feel right for my list. But I told
Eric that if he’d be interested in writing something that was truly focused on
teenagers, I’d be delighted to see it; and he responded with a proposal for a
novel that had long been in the back of his mind, about friendship, the
Beatles, and the great Buffalo blizzard of 1977.
I said “I love this idea, write it,” he did so, and I acquired the novel. We
then worked together to shape it into If I
Ever Get Out of Here.
So if I could
point you lovely librarians and teachers to one thing in this story, it would
be the crucial role that Debbie played in letting Native writers know there was
someone looking for their work, and her work connecting those writers to the
wider publishing world. If you work with a diverse population and you know some
aspiring writers, please give them books that might inform or encourage their
writing, like those we’ve been discussing all month. If they’re adults, tell
them about the Angela Johnson scholarship at the Vermont College of Fine Arts,
and the Society of Children’s Book Writers and Illustrators, where they might
find support for honing their craft. Point them to this discussion, and the CBCDiversity Tumblr, and the Lee & Low Book Awards, for names of publishers
and editors and readers interested in seeing their work. Remind them it often
takes patience to find the right editor for the right project at the right
time, and they shouldn’t be discouraged by one rejection (as I turned down
Eric’s first submission); but to hang in there and keep writing, first and
foremost. Be the connector and encourager for any talented writers of color you
might know, and hopefully we can see more of them in print soon.
With best
wishes,
Cheryl Klein
Executive Editor
Arthur A. Levine
Books / Scholastic
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